Gangster Squad (2013) [Blu-ray]
Action | Crime | Drama | Thriller
Tagline: No names. No badges. No mercy.
The year is 1949 and ruthless gangster Mickey Cohen (Sean Penn) has the city of Los Angeles in his grip. Against a gang protected by rampant corruption, Chief Bill Parker (Nick Nolte) resorts to extremes. He enlists battle-hardened hero Sgt. John O'Mara
(Josh Brolin) to form a unit to exact vigilante justice. Their job isn't to make arrests... it's to make war. As the city explodes in gunfire, jaded cop Sgt. Jerry Wooters (Ryan Gosling) is reluctantly drawn into the fight as he falls hard for Grace
Faraday (Emma Stone), the elegant beauty whom Cohen claims as his own. Inspired by an incredible true story, Gangster Squad blows open the secret flies of the cops who fought for L.A.'s soul.
Storyline: It's 1949 Los Angeles, and gangster Mickey Cohen has moved in, with the intention of controlling all criminal activity in the city. He has bought local judges and police, and no one is willing to cross him or testify
against him. Everyone except Seargant John O'Mara, a former World War II soldier, whose goal is to settle with his family in a peaceful Los Angeles. Police Chief William Parker decides to form a special unit whose mission is to take down Cohen, and
chooses O'Mara to lead the unit. O'Mara chooses 4 cops and asks another cop and vet, Jerry Wooters to join him but Wooters is not interested. But when he witnesses the murder of a young boy by Cohen's people, he joins them, and they decide to take apart
Cohen's organization. Cohen wonders if a rival is going after him, but eventually he realizes it's the cops. Written by rcs0411@yahoo.com
Reviewer's Note: Reviewed by Kenneth Brown on April 9, 2013 -- Infamously delayed in the wake of the tragic 2012 Aurora theater shooting, Gangster Squad arrived four months after its intended release, with a new mid-movie
shootout that didn't involve a massacre in a movie theater. It was a smart decision on the filmmakers' part, no matter how fiercely some cinephiles reacted to the sensitivity that inspired the move. At the same time, it's a strange sort of sensitivity
that identifies the image of a bullet-riddled theater as problematic, rather than the at-times gratuitous, all but objectified violence the shootout, and much of what bookends it, embraces with testosterone-saturated giddiness. A man is ripped in
half, a woman is nearly raped, three men are burned alive... and that's just in the first ten minutes. It isn't graphic per se, but it revels in machine guns, mayhem and death. Don't misunderstand, I have zero interest in putting screen violence on trial.
Certainly not here. But Gangster Squad hinges on violence and little more, and with it comes an odd, slack-jawed silliness. The film aspires for Untouchables greatness but bumbles all the elements that make Brian De Palma and David Mamet's
1987 crime drama great. It longs to be L.A. Confidential but falls closer to The Black Dahlia. It desperately paws at the classics of '30s and '40s gangster cinema, hoping to reinvent and reinvigorate while mounting something more akin to a
furrowed-brow parody instead. And it takes its aforementioned silliness way too seriously. It isn't a bad film, I'll give it that. Just a terribly unremarkable one; more memorable for the notorious sequence it lost than anything it has to offer.
Los Angeles, 1949. Self-appointed boss of the California criminal underworld Mickey Cohen (Sean Penn) sets his sights on expanding his territory and power by any means necessary. In response, LAPD chief Bill Parker (Nick Nolte) assembles a team of gunmen
to put pressure on Cohen's empire and crush it... by any means necessary, off the books and in secret. (Because Tommy guns and public executions are the keys to a covert takedown.) The squad? WWII Special Operations veteran Sergeant John O'Mara (Josh
Brolin), soft-spoken heavy hitter Sergeant Jerry Wooters (Ryan Gosling, rehashing his vastly superior performance in Drive), quick-draw gunslinger Max Kennard (Robert Patrick), his eager but green-behind-the-ears partner Navidad Ramirez (Michael
Peña), no-nonsense detective Coleman Harris (Anthony Mackie), and family man and former Army Intelligence officer Conwell Keeler (Giovanni Ribisi). What follows is an explosion of bullets, broads and booze, with Emma Stone caught in a love triangle with
Wooters and Cohen, Mireille Enos as O-Mara's pregnant wife, Holt McCallany and Troy Garity as Cohen's go-to men, and Sullivan Stapleton as Wooters' informant.
"Every man carries a badge. Some symbol of his allegiance. His were the scars of a boxer who'd used his fists to climb the social ladder of the mob. A Jew who'd gained the respect of wops through a homicidal lust. He'd sworn an oath of violence. And his
master? His own insatiable will to power. He wanted to own this town...
... His name is Mickey Cohen." Cue Penn's gristled mug turning toward the camera in slow motion. His eyes burn. It's the most subtle beat of Penn's performance, an over-the-top, passive-aggressive eruption of criminal id that would make even Al Pacino
raise an eyebrow. Before long, Spicoli's pounding his finger into a table at a crowded restaurant, barking "this isn't Chicago! This is the Wild f---ing West! You heard of Manifest Destiny? That's when you take what you can when you can. The greasers took
it from the redskins and we took it from them. And I'm gonna take it all from you, Jack! And not just because I can, but because this is my destiny! Los Angeles is my f---ing destiny, you motherf----er!" Penn is suddenly a bloodthirsty, R-rated Dick Tracy
villain, swollen prosthetic nose and all. His Cohen isn't a streetwise mobster. He's a force of unhinged, f-bombing nature, and every scene he graces serves one purpose: to remind the audience just how much of a monster Cohen is. Gangster Squad
isn't really about the do-or-die squad at all, even though Gosling and company get far more screentime. It's an early '90s Batman flick hellbent on building up the threat that is its colorful Big Bad rather than dissecting the Everymen willing to
sacrifice their lives to put a madman out of commission.
Director Ruben Fleischer runs through the Everymen motions, though, peeking into O'Mara's family life, the squad's paint-by-numbers dynamics and, of course, the romance between Gosling's Wooters and Stone's Grace Faraday. Their love story is a messy,
unnecessary diversion that nearly hijacks the film. Poor Gosling and Stone are forced to wade through the increasingly ludicrous affair without any help either, chewing up cringe-inducing gangland dialogue and spitting it out to no avail. Worse, their
screen chemistry is DOA, which will come as quite a shock to anyone who fell for Jacob and Hannah in Crazy, Stupid, Love. (Show of hands. Mine's already up.) Brolin and the rest of Gangster Squad's Tinseltown squad aren't much better,
dutifully gnawing on Will Beall's quasi-pulp script without a lot to show for it. Again, style trumps substance as cliché after cliché, genre convention after genre convention, are strapped to a chair, beaten, battered and bled dry. If it isn't a mob
movie quip you've heard a dozen times before, it's a chase or shootout you've seen played out a hundred times over. Despite all the gore, all the muzzle flashing, all the retro-noir sizzle, the results are inexplicably and unmistakably familiar. And
ordinary.
John Hillcoat's Lawless, released a scant few months earlier, was exceedingly violent, not to mention far bloodier and more visceral, and perhaps the same charge of hollow violence could be leveled against its brutality. But Hillcoat's savagery is
unbearably convincing and, above all, genuinely unsettling. Disturbing even. (Tom Hardy's throat sawing leaps to mind.) Gangster Squad, though, is a comic book. It isn't an assault on the senses, it's an assault on good sense. There's a fair bit of
fun to be had, I'll admit. Watching Penn unwittingly ham it up, for one. Seeing a stiff-lipped Brolin and a meek-n-mild Gosling tower over dead bodies with a gleam in their eye. Following the squad into Chinatown or a ritzy hotel for a bit of the old
ultra-action. Or pretending the whole shebang is a four-times-removed adaptation of Mia Wallace's failed television pilot, Fox Force Five. (Take note: each member of the squad has a special skill that defines him.) Ironically, Gosling and Stone,
chemistry or no, are Gangster Squad's greatest assets. Arguably Penn as well, if outrageous theatricality is your thing. The rest of the cast, Brolin especially, falls flat. The squad's secret mission amounts to a threadbare actioner that may as
well star The Expendables crew. And historical accuracy? The truth isn't just thrown out the window. It's dangled off the edge of plausibility by its ankles until it gives up a few choice pieces of information, and then dropped eleven stories to
the street below. Embellishment, exaggeration and creative license run this town. Best not cross them.
There'll be those who wholeheartedly enjoy Gangster Squad. Then there will be those who'll be ready to pull the trigger before it even starts killing everything that moves; those dissatisfied with its endless clichés and tough guy melodrama,
unimpressed with its script and performances, and disappointed that a movie with a cast this talented failed to put them to good use. It so desperately wants to rub shoulders with The Untouchables, L.A. Confidential and the classics of
Gangland cinema, but it isn't in the same league, much less the same sphere. Warner's Blu-ray release, on the other hand, gets just about everything right. Regardless of whether you love or hate the film, its video transfer is terrific, its DTS-HD Master
Audio 5.1 surround track is a show-stopper and its supplemental package has plenty of extras to go around. At the very least, a rental is in order.
[CSW] -2.6- This movie was pretty ok! I didn't expect a whole lot, and I think if you go into it wanting a film of the same caliber as L.A. Confidential, Untouchables, etc, you will be VERY disappointed. However, there were some fun action
sequences, some chuckle-worthy dialogue, eye-candy for the men and the ladies, and some visually interesting bits. It is incredibly cartoonish and silly. A lot of the plot points didn't make sense, almost as if there were entire scenes missing. I wouldn't
buy it for $20 when it's first released on Blu-ray, but thought I might grab it out of the $5 bargain bin it's destined for and throw it on when I feel like having a couch and junk food day… on second thought, I don't think I'll even do that.
[V4.5-A5.0] MPEG-4 AVC - No D-Box motion codes were available at the time of this rental although they are available now.
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